Glazed nesting carving
Ompared with “porcelain carving”,”glass carving” is more difficult to make, and the modulation of color is more complicated. However, due to the greater demand for porcelain in ancient China, there are more “royal porcelain factories” and “ordinary porcelain factories” for producing porcelain. In Chinese society, many works of art tend to use porcelain as a carrier. “Glass carving” works, pure manual carving technology has almost been lost, replaced by “motor bed” carving, but this kind of work looks like an ordinary sticker, the carved picture is not vivid, very “rigid”.
Timeless classic
Our company’s glass carving works are all collections, completed in the 1960s, and the raw material collection time was roughly between the 1940s and 1950s. These works come from the collections of several old craftsmen in Boshan,In order to protect these works, they took a lot of risks in the political campaigns of the year. They want to show excellent traditional works to the world again. They especially hope that the works can continue to be displayed in another form in the hands of collectors who are truly tolerant, truly respectful and truly appreciative. The value of this craft culture.
Interior painting art
“Inner painting” is painting inside a transparent object, the painter must use the “mirror principle”,”reverse direction” painting, and need to use a special pen, this pen body is generally made of small bamboo, and the tip is similar to “fish hook”, so that it is convenient to put the pen into the transparent container “reverse direction” painting. China’s “inner painting” art is China’s “intangible cultural heritage”, but it is a pity that “inner painting” art has always been a minority art in China, because it was produced for the ancient aristocrats at the beginning of its birth.
Innovation and development
Just like China’s “intangible cultural heritage” production,”inner painting” production is also “no successor”, fewer and fewer young artists engaged in this field, they prefer to learn “international” paintings, I do not deny their choice and decision, because this is the trend of world art. Although I am a businessman,but I love this kind of art very much, so I am constantly looking for young artists in this industry, hoping to use the creativity of young people to break through the limitations of the traditional “inner painting structure” and bring new life to this kind of art and bring life to the world.
Li Shaoyue, Masters of contemporary art
Li Shaoyue, daughter of Master Li Huitong, is the fifth generation inheritor of Lu School's internal painting. She is a new generation of Chinese young artists and a special guest of China Central Television. Compared with traditional painting, his inner painting style is more fresh and fashionable. While retaining traditional painting technology, his subject matter is more novel, especially good at watercolor realistic painting style and figure oil painting realistic painting style. In fact,"inner painting" is painting in a transparent object, the painter must use the "mirror principle","reverse direction" painting, and need to use a special pen, this pen body is generally made of small bamboo, and the tip is similar to "fish hook", so that it is convenient to put the pen into the transparent container "reverse direction" painting. China's "inner painting" art is China's "intangible cultural heritage", but it is a pity that "inner painting" art has always been a minority art in China, because it was produced for the ancient aristocrats at the beginning of its birth. Compared with Chinese porcelain, its use is more single, just for viewing, so it is not popular in most people's lives in China, and even now 80% of Chinese people have never heard of it. Just like China's "intangible cultural heritage" production, the production of "interior painting" is also "no successor". There are fewer and fewer young artists engaged in this field. They prefer to learn "international" paintings. I don't deny their choices and decisions, because this is the trend of world art, but although I am a businessman, I also have eyes to "appreciate beauty". I love this kind of art very much. Therefore, I am constantly looking for a small number of young artists in this industry, hoping to use the creativity of young people to break through the limitations of the traditional "internal painting structure" and bring new life to this kind of art, bringing life to the world.
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